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https://repository.unad.edu.co/handle/10596/48631Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | Rúa Vergara, Cristian Alexis | |
| dc.coverage.spatial | cead_-_duitama | |
| dc.creator | Becerra Duitama, Edwin Giovanni | |
| dc.date.accessioned | 2022-05-18T20:49:31Z | - |
| dc.date.available | 2022-05-18T20:49:31Z | - |
| dc.date.created | 2022-04-28 | |
| dc.identifier.uri | https://repository.unad.edu.co/handle/10596/48631 | - |
| dc.description | Partituras | |
| dc.description.abstract | El coro, como conjunto instrumental, aprovecha la versatilidad de las voces humanas para crear sonoridades características y únicas. Es un vehículo de construcción de comunidad y ha estado presente a lo largo de la historia de la música. La música “tradicional” boyacense (carranguera) no es un huésped habitual del mundo coral, bien sea porque no hay difusión de este estilo musical o, sencillamente, porque no hay tantos arreglos de estas músicas para coros y, aunque esto por sí mismo, no es algo negativo para la música, puede ser una fuente potencial de obras que sean cantadas por un coro. La música carranguera, nacida en los años 70 gracias al maestro Jorge Velosa (quien es su máximo exponente), resume la cultura de la región cundiboyacense y se convierte en un potencial enriquecedor de los repertorios de grandes formatos como coros y orquestas. Teniendo en cuenta lo anterior, se propone la creación de 4 arreglos corales para coro a cuatro voces (SATB) de obras del maestro Velosa, buscando nuevas sonoridades, como un sencillo homenaje a su aporte a la música colombiana, con el fin de promover esta música en otros ambientes y de ampliar el repertorio coral para este formato con música que presenta bastantes posibilidades en su montaje y disfrute al cantar en coro. | |
| dc.format | ||
| dc.title | Jorge veloza coral: 4 arreglos para coro satb | |
| dc.type | Proyecto aplicado | |
| dc.subject.keywords | Arreglos, Música Carranguera, Coro, SATB. | |
| dc.description.abstractenglish | The choir, as instrumental group, takes advantage over the versatility of the human voices to create unique and characteristic sounds. It is a vehicle to construct community, and this has been present through the history of the music. The “Boyacense” folk music, called “Carranguera” it is not a guest among the choir´s world because there is not a broadcast of this musical style or, simply, there are not many musical arrangements for this mentioned music to choirs; this fact itself is not negative to the music, instead, it is a potential source to produce an innovative work to be sung by choir. The “carraguera” music was born during the seventies thanks to the Master Jorge Velosa (who is its highest representative), this music genre summarizes the culture of the “Cundiboyacense” region (central region of Colombia), and it becomes into a rich source to great repertoires and formats that can be made up to choirs and orchestras. Having in mind these facts, it is proposed the creation of 4 choir´s arrangements to a 4 voces choir (SATB) based on the work by the Master Velosa, by this, it is searched the birth of new sounds and give a humble homage to his contribution to the Colombian Music, with the aims to promote this music in other environments and wide the choirs ‘repertoire to this format, based over a kind of music that shows several possibilities to its production and the joy to be sung by a choir. | |
| dc.subject.category | Música | |
| Appears in Collections: | Música | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| egbecerrab.pdf | 4.28 MB | Adobe PDF |  View/Open |
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